Death Foretold by Symbols

Gabriel Garcia Marquez is the author of the very intriguing novel record of a remainder Foretold. The chronicle is very strange and brilliantly conceived, and a configuration of metaphysical murder mystery in which the detective, Garcia Marquez himself, reconstructs events associated with the murder 27 eld earlier of Santiago Nasar, a rich, handsome fellow who lived in the Caribbean township where the author grew up (Michaels, P. 1). Marquez plays himself in the novel, interviewing people who remember the murder and studies documents assembled by the court.He gathers various kinds of data conceive ofs, gossip, philosophical speculation, weather reportsand creates a chronological record of what occurred. The data that is accumulated demonstrates that symbolism was very salient in the story and essential to the goal of Santiago Nasar. Symbolism is first jell up when it is introduced to the readers that Santiago Nasar had dreamed the night before his death that he was flying H ed dreamed he was difference by dint of a grove of timber trees where a gentle drizzle was falling, and for an moment he was happy in his dream, but when he awoke he felt up completely spattered with bird shit (Marquez, P. ).Beginning with the place, Nasar was passing by timber trees which ar evergreens. Evergreens catch up with immortality, everlasting life or an everlasting spirit, wryally enough (Symbolism in Chronicle of a finish foretold). This adds to the whole ironic theme represented in a emblematic way. What is to a fault symbolical astir(predicate) this piece is that flying usually represents abject to the next level spiritually. So that foreshadows his death. Another related dream that Nasar had was the one and only(a) in which he was alone in a tinfoil planer and flying through the almond trees without bumping into any melt offg (Marquez, P. ).These almond trees atomic number 18 a symbol of virginity, divine favor, and purity. Trees are also recognized as cosmos feminine. This could be representative of Santiago Nasar flying through a grove of arrant(a) Angela Vicario. His airplane did not bump into anything, leaving the trees fully intact. This could also represent the innocence of Nasar, saying that he did not touch Angela. His innocence could also be represented in a form of rescuer. Santiago and Jesus Christ can be direct parallels when Marquez writes Santiago put on a shirt and pants of white linen (Marquez, P5).Since white is the discolour of innocence and purity, this choice of fabricing promotes those attributes. Jesus wore a linen cloth before his death as well and was aware that they were going to shoot him, much like Nasar. Not only is this symbolism, but religious also. The bishop advent to town also gives a slight symbolic feature. This is because a bishop could resemble deity in the way when he blesses, hears sins and such (Bishop). So god coming to town could foreshadow something big occurring as well.As umpte en Christians and Catholics would agree its a very big deal, so it being a very big deal, one would think that everyone would behave but the exact opposite occurs when Santiago Nasar is murdered in such a brutal way right infront of his home. This story is filled with raillery. When Nasar tells his mother about the symbolic dreams it would have been ideal for her to decipher them and tell him that they meant death. But preferably it is mentioned that she did not recognize anything ominous within them.It is also quite ironic when he mentions, the day of his death, that it was a very beautiful day (Marquez, P. ) when nigh people agreed that the weather was funeral, with a cloudy, low sky and the fatheaded smell of still waters, and that at the moment of the misfortune a thin drizzle was falling like the one Santiago Nasar had hearn in his dream grove. Another malicious omen ignored. In a certain way, it is apprehensible that a lot of omens and symbols are ignored because they ar e not facts. The plow that Marquez does is supposed to be journalistic and factual (Chronicle of a Death Foretold) and symbols would be counter-productive because they are not very good evidence, so they authorise anecdotes.However, if the people in town would have interpreted the symbols and warned him, he would be alive. But then again, if that would have occurred in the interesting novel, it wouldnt be called Chronicle of a Death Foretold. It would just be Death or something like that, which eliminates all the entertainment. Returning to the symbols, we also see that flowers are important. A day before the death of Santiago Nasar, he distinctively told Marquez that he did not like flowers because they remind him of a funeral.This is also ronic because usually flowers are meant to represent purity, love, happiness, etc. But in his case it was the opposite. Other prominent symbols are the knives that the Vicario brothers used to kill Nasar, because almost everyone had seen them. Not only did they see the knives but when they did the Vicario brothers even rubbed it more in by saying that they were going to kill Santiago Nasar. The townspeople were very ignorant by believe that they would not carry on with the malicious deed. So they had great backlog by doing this. The ending adds to the both ironic and symbolic theme of the story.Angela Vicario and Bayardo San Roman reconciliate and it is foreknowledged if one looks at how many letters Angela sends Bayardo in the years that they are separated. But the twist is that he does not even open them. Chronicle of a Death Foretold puzzles the reader by demonstrating many symbols that foreshadow the death of Santiago Nasar. Dreams, clothing, flowers, weather, knives, and letters are just a few that make the story more interesting by giving it a symbolic view. If they had been ignored the story would not be the story that it is. Therefore, symbolism and irony play a very significant role in the story.