Hip Hop Culture Essay -- Rap Music Commercialization Essays Papers

Hip Hop lastSince the early to mid 90s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the go down of these changes is what has been foretelled mercantile hip-hop. Commercial hip-hop has deteriorated what so galore(postnominal) emcees in the 80s tried to build- a culture of music, dance, creativity, and artistry that would ordain people not notwithstanding something to bob their head to, but besides an avenue to express themselves and deliver a positive message to their surroundings.What does the termination commercial mean? It can take on various meanings, but in essence that term is used to label artists who have modify parts of the hip-hop culture in their work. The High and Mighty, a pas de deux from Philadelphia signed to Rawkus Records, summed up what commercial hip-hop is in their 1999 single let go of The Meaning. Mr. Eon says theyre tryin to turn hip-hop to just knitwork rappin/let the poppers pop/and the breakers break But the disenchantment with artists who entert appreciate hip-hop as consisting of emceeing, breaking, graffiti art, beat backpacking and dj-ing is not new. Underground artists, predominately hip-hop purists, have lashed out at biters and perpetrators for many years. For example, in 1989 3rd Bass released their first album, The Cactus Cee/D. Throughout the album, MC Serch and pinnacle Minister Pete Nice scold the commercialized booty shakers like MC Hammer for corrupting hip-hop, particularly on the track The Gasface they specifi bandy call out Hammer for his antics.Inside the album jacket, Serch sums up hip-hop in 89 There was a time when nothing was more than grand than the New York Rap Scene. Its dilluted, but not divided. To hip-hop afficionados, Serchs quote sounds like the equivalent to a Vietnam soldiers garner home. Obviously, the group saw the possibility of the hip-hop culture being tainted. other good example of a group combatting the increase in commercial hip-hop was The Boot Camp Clik, consisting of buckshot, Helter Skelter, Cocoa Brovaz, OGC, Illa Noyz and The Representativz. The Cliks slogan throughout the duration of their 1997 release Album for the People was Commercial rap stick around the gun clap. A descendent of the early backpacker days, Buckshot has always been opposed to mainstream artists who sacrfice artistic integrity in the lure for more coin.The underground hip-hop scene has e... ... ability to rock a lot with sheer lyricism, explaining why you are doper than the other man, and having a Dj who could choke you with dope beats were essentials in old school hip-hop and lock up are in the underground scene.Underground hip-hop is filled with groups much(prenominal) as The Pharcyde, The Roots, Jigmastas, and Jurassic 5 who use live instruments to not only enhance their lyrical talents, but also to give audiences a enormous show. All four of these groups are dedicated to preserving hip-hop culture. Emcees battle to origina te they are iller, Djs do the same thing, and breakers, break dancers, poppers, whatever you want to call them, continue the tradition of mixing their dance art form of popping, fasten and spinning using the music to help create different techniques.What has been colossal for the underground scene is its ability to sell more records now, and that is by and expectant due to the increase of smaller, independent record labels(see chapter 1). Labels such as Rawkus, flatter Em, Stones Throw, Goodvibe, ABB Records, and others can compete with majors like Bad Boy and Def mug up now because they are backed by people who have money and want to see hip-hop culture survive.